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Sunday, December 20, 2009

Our Christmas of Catastrophes

Most Christmas memories blend together as a collage of moments in the scrapbook of memories we all carry in our minds.

But there is one from my childhood that stands out. It was our Christmas of Catastrophes in 1953 when I was 10 and living in a small apartment with my two brothers, my parents and our cat, Kitty.

Chicago was under a snow and ice siege…freezing, slippery conditions that kept us inside as the biggest and most anticipated holiday of the year approached. We were excited. Our Greek mother had taught us to sing “Silent Night” in Greek to impress our relatives when the big day arrived.

We decorated our tree that just missed the ceiling and sat tucked into the corner of our small living room. The ornaments were vintage now, mostly glass tinted with silver and gold designs and old world themes, from my parents early Christmases together.

Some of our strung colored lights were candles with rising bubbles that appeared when they were lit. Once decorated, the finishing touches were slivers of silver tinsel hung from the branches. It was a happy time for a working class family in the immigrant neighborhood.

Nothing seemed different this particular Christmas except for the nonstop severe weather and the sheets of ice everywhere. The most popular Christmas song that year was Nat King Cole’s recording of “The Christmas Song.” My father who loved to sing in bars and at weddings had to have it.

He called all over the city to find a copy of the 78 record platter and finally found one. Under other circumstances, my father would not have ventured out in the Arctic grip the city was under, but he was obsessed with the song and was determined to have it for Christmas. So he cleared the car of its snow and ice and began his trek to the record store.

Our cat Kitty, we discovered, was fascinated by the slinky, snakelike glimmering tinsel dangling seductively from the branches. It was a new cat toy to play with and bat with his paws. However, it didn’t stop there. Kitty wanted to taste the tinsel, and with one stubborn tug pulled down the tree.



Branches snapped, ornaments rolled across the floor, some broke, and we gasped. With tears and laughter we put the tree upright and repaired the damages as best we could to restore it to its pristine state.

It was dark now and my weary father returned with his precious record only to find worsened street conditions for parking his big Caddie. As he attempted to seesaw into a spot, he hit the car in front and in back of him. Totally exasperated, my dad now had car insurance and damage issues as well as unhappy neighbors to deal with. He finally gave up and came inside in a foul mood.

The earlier excitement and family cheer were now gone. But there was still one more catastrophe that day. My dad unwrapped the coveted record from its packaging only to discover it was cracked and unplayable.


We did recover from that awful day and still had a good Christmas in spite of the cat, the tree, the car and the broken record. It was an unforgettable Christmas, our Christmas of Catastrophes.

Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED


Cat photo by Palmer W. Cook

Sunday, December 13, 2009

Follow the Signs

In an old Steve Martin film, LA Story, his character is asking for a “sign.” He finds it on the side of a freeway, a blinking directional sign, a kind of modern oracle to guide him. I can relate.

In times when life seemingly presents no answers, I grope for them anyway and somehow they appear when I least expect them and in the unlikeliest of places.

Coming from the doctor’s office, something prompts me to glance at the rear window of the car beside mine, with a sticker that asks, “Have you thanked God today?” There it is—the message at a time when I’m at a loss for solutions to my child’s serious health problem.

And the signs and their messages keep coming. After an eye-check up, I glance at a parked car’s bumper which shouts,
“Got Faith?” More questions to remind me that I have the answers within me.



Driving on the way to teach my multi-cultural, adult college class of Muslims, Hispanics, African-Americans, and Caucasians: a composite of soldiers back from multiple Middle East tours of duty; single parents, some never been married; some from inner-city projects and gangs; some who have served time—all wanting better lives through education and a coveted degree.

It’s a daunting challenge and responsibility to teach to this diverse population and their mismatched skill levels.

I’m waiting at a stoplight thinking about this night’s class, and to my right I see a church’s corner sign that reads, “Do More Good.” No specifics, no details or steps to take…just do more good. Seems so simple, yet profound, reminding me of what I can do.

I have learned that when I need them, the signs appear. I just have to follow them.

Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED

Photo by Asif Akbar

Saturday, December 5, 2009

The Scariest Place

I crept down the concrete steps praying, “I shall walk through the valley of death and fear no evil.”

Repeating it again and again, I approached the heavy, wooden door with dread— the entrance to the largest, darkest place I knew at 8 years old, a damp, sunken basement storage room that stretched in a black void across the old apartment building filled with immigrant families’ possessions.

Whenever I opened the door, I froze by what I heard but could not see: garbage-fed city rats, feral cats, and insects living in a dark world of total blackness outside of civilization and daylight. Their scurrying sounds and animal scratchings inhabited the blackness.

Frantically, I mustered all my courage and ran to the middle of the darkness, blindly navigating by instinct to the center of the room until I found the cold, damp concrete wash sinks, my buoy in the sea of darkness. Above them hung my salvation, a single light bulb and its dangling string, a lifeline in the immense blackness.

Fighting panic, I whistled to scare off the creatures of the dark. If I could only find the light before they found me. Only the light could save me. I groped the air for the string, desperately standing on my toes and waving my arms above the sinks, grasping for the slender string before the eternal night's creatures claimed me.

Blinded by the blackness, I grabbed for the light bulb’s string.

When my small hand caught it in mid air, a dim light entered the space, and my body sighed with relief as the string swayed above me.

That single, small light conquered my terror in the dark space. The other living things became silent in their hiding places as I found my way to our storage locker.

I know now that the dark, scary place is a metaphor for when the blackness and the unknown seem to engulf my life. Sometimes it is hard to find the light when there are fearful things around me and I cannot see where I am.

At those times, I remind myself I can overcome the terror of the dark when I grab hold of the light.

Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED


Bulb photo by Szekér Ottó

Thursday, November 19, 2009

Gateway


I close my eyes and breathe deeply. As I take deeper, longer breaths, in my mind, I am transported.

I stand before an arch looking at the path that takes me into a golden field on the way to the garden, my beautiful, tranquil garden.



I follow the path to the water and the secluded garden where my guide awaits.

It is a spiritual retreat, and only I have access. It is an inner resting place I have created when there is nowhere else to go.

Life’s pressures and stresses are not allowed in my secret garden.

Once I am there, I escape the cares and weight of life. My guide is always there …when I am afraid, uncertain and alone. We are connected. We sit beside the water, and my guide listens to my doubts and apprehensions.

I know I can rely on my guide to help me when life is too much, and I need refuge. This is our time and place, an inner world untouched by others where there is peace and comfort from external reality.


In the garden, I am comforted by my gentle guide. We are detached from the material world.

In this oasis of meditation, I transcend responsibilities, worries and anxieties.

In my garden I am calm. I am safe. I am free.




Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED

Archway photo by Maureen McGarrigle

Sunday, November 15, 2009

The Meaning of Pearls

Diamonds may be a girl’s best friend, but for me it’s always been pearls. All gems have attributed meanings and qualities, especially when we look at birthstone definitions.

Pearl’s origin and meaning:
"The pearl is the oldest known gem, and for many centuries it was considered the most valuable. Unlike all gems, the pearl is organic matter derived from a living creature - oysters and mollusks.

It was said in some early cultures that the pearl was born when a single drop of rain fell from the heavens and became the heart of the oyster. Pearls have been called the 'teardrops of the moon.'

Some believe that pearls were formed by the passage of angels through the clouds of heaven.

Over time, the pearl has become the symbol of purity and innocence and it is often sewn into bridal gowns, or worn as jewelry by the bride." http://crystal-cure.com/pearl.html




















I’ve never been a diamond girl. Pearls suit me better and represent singular moments in my life. At 22, fresh out of college, I received my first strand of long, lustrous, cultured pearls as an engagement gift.

My fiancé and I shopped at Marshall Fields for the perfect strand to wear at the engagement party his aunt was giving me in the Chicago suburbs, a gathering for her friends to meet her nephew’s bride-to-be.

The pearls stood for his love and commitment. Pearls were also sewn on to the bodice of my wedding gown.

The next time I received pearls they came directly from the Orient. My second, shorter pearl necklace was strung with more refined, dainty pearls.

They were sent from my Army husband from Hong Kong where he, like so many other soldiers of that era, spent an RandR from their tours of duty in Vietnam.

The pearls arrived along with a 12-place setting of porcelain china, and the latest stereo and camera equipment of the time. Most GI’s sent similar care packages to their waiting wives in the late ‘60s.

When I turned 40, elegant pearl earrings were gifted to me again, this time from a new love for my birthday. The problem was that the earrings were pierced, and my ears weren’t.

The pearls were beautiful, and I had only one choice. I dreaded the thought of punching holes into my earlobes, but I could hardly wait to wear the earrings.

My teenage daughter accompanied me to the mall to get the job done. She held my hand, like a patient mother, as the stapler popped the openings for my new pearls of love to rest.

The pearls joined my collection, and my daughter enjoyed them too when she wore them for special occasions.

At 47 when I married the second time, I thought it was only fitting that my daughter, my maid of honor, should have her own pearl earrings. They were my gift to her on that day of love. Pearls were sewn onto the sleeves and hem of my tea-length bridal gown.

I have added to my pearl treasures over the years. They stay cloistered together in their own jewelry box, and I still favor them over other gems.

They connect me to wonderful memories and gifts of love. Over the years, my affection and fascination for pearls has deepened.

I’m especially drawn to pearls that are irregular, created in an emerging state and preserved in the process of transformation. They are known as blister pearls, "mabe (ma-bay) pearls" grown in a Mabe oyster.

I still love traditional pearls but find a different kind of beauty in the unique shapes and free forms of the blister pearl. Unlike the attempt at perfection of the cultured pearl, they are imperfect and more interesting reminders of life itself.



"Eastern cultures believe that pearls symbolize purity and spiritual transformation. Simply wearing a pearl reminds the wearer to be honest, pure, wise, and to walk with the utmost dignity."

From the Meaning of Pearls: http://www.articlealley.com/article_27059_28.html


Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED

Photo of Strands of Pearls by wemedge





Tuesday, November 10, 2009

An Object of Affection

Best camera I ever had. No adjustments, no gadgetry…just press the button, indestructible and compact…my Kodak Instamatic.

It was our first summer in Virginia, and the camera was filled with priceless photos and memories from our trip back to Illinois for my father’s second wedding: my daughter as the ring bearer, my children reunited with my brothers, and dad with his siblings from CA who came to see him marry his new wife. There were still a few pictures left on the roll.


Later that summer, the Instamatic preserved pictures from a trip to NYC with my son, 10 and daughter, 7. A native New Yorker and theatre friend took us “parading,” as he called it, to the Empire State Building, Staten Island and Central Park.

My children and I were making new memories together as we explored the East Coast after our move to northern Virginia from a small town in the Midwest.

When we returned to Virginia, I discovered the camera was missing along with all the memories it carried. I knew I could never replace those Kodak moments. Several weeks passed before I received a package from someone who had also been in Central Park during the marathon.

The Good Samaritan found our address in the camera case and mailed the camera to us. So the camera and its treasures found their way home, like a faithful family pet that was lost and then returned.

Later that summer, we were exploring Baltimore’s Inner Harbor and stopped for some ice cream at Swenson’s. With tired kids in tow, I left the camera behind, this time on the booth’s seat at the ice cream parlor.

A couple days later, I realized it was gone along with the pictures from our Baltimore trip. A few weeks passed and I received a call from someone who had also stopped for ice cream, found the camera and dropped it off at our home. Once again the camera was reunited with our family.

I never lost the Instamatic after that summer when we explored our new surroundings. It's now packed away with family albums, slides and other memorabilia.

It preserved the adventures of a single mom and her children adapting to a new life and geography. It was part of the family, and through the kindness of strangers who found it in NYC and Baltimore, the camera made it back where it belonged. Somehow the camera and the memories it saved always returned safely to us.

Objects do evoke memories. Perhaps that’s why we hold onto them. Our inexpensive, uncomplicated Instamatic preserved our family’s history and helped us hold on to those times when we started a new life together.

Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED

New York photo by clemmeson

Wednesday, November 4, 2009

Homes: The Way They Were


There’s a scene in the movie, The Way We Were, where two men are sharing “best of” memories. Inspired by that scene, I am remembering the many homes of my life and their “best of” moments.

Though I have lived in many places, not all of them felt like home. The ones that I think of as home were those where I felt connected to my surroundings. These are my “best of” home memories, “the way they were.”

First home, early childhood in a multi-ethnic Chicago apartment complex where our playgrounds were asphalt and concrete, alleyways sandwiched between brick buildings, underground storage basements and a large empty, weed prairie. I always dreamed of having a real backyard with flowerbeds like my aunt’s old Chicago house in South Shore.

Best memory: climbing the advertising billboard's wooden scaffolds on the State Street side of the prairie to get a great view of sparks flying when the boys threw cans on the streetcar tracks, a game for city kids.

Second home, teen years in the south suburbs of Chicago, in working class Dolton, where we finally had a yard where my mother hung the wash to dry on a clothesline that doubled as our theatre curtain, a blanket attached with clothespins, for our backyard plays.

Best memory: the fir tree my mother planted that grew taller than our house and became a giant Xmas tree every winter that we lit for all to see.

In my married home 20’s to mid 30’s in Eureka, a central Illinois bedroom community of churchgoing gentlemen farmers, home was a rambling farmhouse that we modernized on our semi-timbered five acres adjacent to neighbors who rode their horses past the cornfields up the road.














Best memory: my young children playing in a tree, one in the big tire swing and the other in the crook of the tree.

Second best memory: growing a vegetable garden for the first time and preparing the homegrown produce for my family and putting fresh cut flowers on the table from my own backyard.

My home on a cul-de-sac in Falls Church, VA, where some nights the sky was a planetarium with constellations that shone brightly as crickets serenaded us on a summer evening.

Best memory: watching our beloved cat, Frisky, roll around in the ivy while I rested lazily with a book in the hammock slung between two giant White Oak trees.

Last home in an apartment townhome in Marina del Rey overlooking the channel, watching the moon play on the water with the shimmering lights of boats and distant planes looking like UFOs blocking the stars as they descended into LAX.

Best memory: walking the boardwalk piers between the slips of the anchored sailboats and yachts during a crimson sunset, almost as much pleasure as strolling the beach a few blocks away.

Home today in a condo overlooking a former golf course in Phoenix.

Best memory: drinking my morning coffee while I watch a hummingbird pause for a sweet drink at the feeder just above the orange tree.

All of the home bookmarks are where I felt centered. They are the places that are always with me and are the “best of” memories.

Copyright © Erana Leiken, 2009 ALL RIGHTS RESERVED


 
Tree photo by Sue Byford
Hummingbird photo by Tiffany Clark